8 indie publishing gems worth your time and money

The LA Art Book Fair returned this weekend with a new venue and a renewed sense of intention. Now in its eighth edition, the fair took over ArtCenter College of Design’s South Campus in Pasadena, California, transforming classrooms, courtyards, and even the rooftop of a Subaru Outback into vibrant hubs of independent publishing. Produced remotely by Printed Matter’s New York team, the fair was made possible through deep collaboration with LA’s creative community. Still reeling from January’s wildfires, the city’s small press scene showed up with resilience and purpose, supported by mutual aid efforts and fee waivers for affected publishers.

At a time when book bans, cultural conservatism, and generative AI are reshaping the creative landscape, LAABF 2025 was a celebration of subculture, radical publishing, and the enduring power of print. Across more than 300 exhibitors from 26 countries, LAABF offered up hand-bound zines, risograph prints, speculative fiction, surreal artist books, and design ephemera, and was a welcome counterpoint to the algorithmic flattening of culture we currently view through our screens. Here’s a roundup of our favorite finds from LAABF.

In Dreams Begin Responsibilities: A Jonathan Rosenbaum Reader, published by Hat & Beard Press

Spanning film, literature, and jazz, this sweeping retrospective brings together 100 of Jonathan Rosenbaum’s sharpest essays from nearly six decades of cultural criticism. Published by Los Angeles-based indie press Hat & Beard, the collection reveals how these three art forms intertwine in Rosenbaum’s singular worldview.

Best known for his influential film writing at the Chicago Reader, Rosenbaum also weaves in deep reflections on music and literature, building a kind of critical manifesto. Expect essays on Stanley Kubrick, Chantal Akerman, Thomas Pynchon, Duke Ellington, and beyond, all filtered through Rosenbaum’s iconoclastic lens.

Cult Classic Magazine: 06 Magnetism

Cult Classic issue 06 explores the unseen threads that bind creative culture. Centered on ideas of mirroring, manifestation, and momentum, the issue reflects on what draws us together, and what keeps us moving forward. With three cover variations to choose from, readers will find conversations with artists, musicians, designers, and writers who are shaping the future of culture. From underground music to indie fashion, Cult Classic continues to document the pulse of creative communities with depth, and eclectic vision.

THE DOME: Throat Heart Mouth Earth, by Carly Jean Andrews; published by Secret Headquarters

Secret Headquarters redefines the comic book store with a sharply curated, design-forward approach to graphic storytelling. Known for its focus on comic book culture, the shop showcases an exceptional selection of graphic novels, trade paperbacks, and monthly titles. 

One must-see title to debut at LAABF was THE DOME: Throat Heart Mouth Earth by LA-based illustrator Carly Jean Andrews, a kaleidoscopic, spiral-bound collection of self-portraits that blends vintage maximalist aesthetics with the artist’s signature explorations of the female form. Each copy comes with a silkscreened thong printed with one of Andrew’s original drawings in a surprise color.

Time, Myth and Matter, by LD Deutsch; published by Sacred Bones

Blending science, speculation, and storytelling, Time, Myth and Matter is the debut essay collection from LD Deutsch, published by Brooklyn-based record label Sacred Bones. Across five expansive essays, including revised versions of her cult zines and one never-before-published piece, Deutsch explores how we use both technology and myth to make sense of reality. Deutsch moves between the cosmic and the personal, drawing unexpected connections between consciousness, physics, and narrative. It’s a genre-defying read that sits comfortably between philosophy, pop culture, and futurism.

 A Toolkit for Gathering, by Rachel Berger, with Meg Bisineer, Sara Dean, and Janette Kim; published by Draw Down Books

Tired of the same old conference formats? This inventive guide, created by Rachel Berger with Meg Bisineer, Sara Dean, and Janette Kim, offers a fresh take on how artists, designers, and thinkers can gather with more purpose and creativity. 

Originally developed during a two-day residency at This Will Take Time and later shaped through the uncertainty of the early days of the pandemic, the book is packed with tools, prompts, and strategies to help make professional meetups more meaningful, and a lot less boring. Think poetic icebreakers, alternative structures, and replicable ideas for reimagining how we come together.

Newly updated with a foreword by Draw Down Books founders, Christopher and Kathleen Sleboda, this slim, beautifully designed volume is both practical and inspirational.

LANDLINES: San Luis Valley (Journey Into the American West), by M12 studio; published by Spector Books

Spanning a four-year engagement by M12 STUDIO, LANDLINES is a 400-page volume exploring Colorado’s San Luis Valley, a vast alpine basin shaped by diverse landscapes and layered histories. Situated over 10,000 feet above sea level between the Sangre de Cristo and San Juan mountain ranges, The Valley has long been a crossroads of intersecting worlds: indigenous lands, Spanish and Anglo settlements, and a surprising range of religious communities, from Catholic to Amish to Hindu. Its landscapes carry traces of adobe architecture, ancient waterways, potato and cannabis farms, volcanic remnants, and folklore swirling with cryptids, UFO sightings, and folk music. LANDLINES blends research-driven storytelling with evocative imagery, offering a rare and multifaceted portrait of the rural Southwest.

Organizing Power: Volume 1, by Jessalyn Aaland with Ana Fox-Hodess and Nat Naylor; published by Current Editions

Organizing Power: Volume 1 is a pocket-size guide to starting a union at your workplace. Created by Jessalyn Aaland with Ana Fox-Hodess and Nat Naylor, this zine-style handbook has already helped workers organize institutions like the Philadelphia Museum of Art and the Wexner Center for the Arts.

Originally developed during Aaland’s fellowship at Yerba Buena Center for the Arts, the saddle-stitched booklet adapts trusted labor organizing resources with added insights from the authors. The risograph cover design gives a nod to the Whole Earth Catalog aesthetic, grounding the project in a legacy of DIY empowerment.

BUGUE – Issue No. 1, by Liana Jegers; published by Caboose

Part field guide, part personal zine, Bugue is a tender love letter to the overlooked wonders of backyard nature. Created by Liana Jegers, this debut issue zooms in on the flora and fauna just outside her door, and offers meditations on the hidden world beneath our feet. Printed on soft newsprint and filled with lush photography and hand-drawn illustrations, Bugue brings a slow, observational approach to nature writing, grounded in the hyperlocal and the everyday.

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